https://www.theartevangelist.com/contact daily 0.75 2025-06-04 https://images.squarespace-cdn.com/content/v1/650dca9e9721fe5047090fbd/4e05a687-b47b-42f8-a6e1-46db18e6ec84/IMG_3677.JPG Contact https://images.squarespace-cdn.com/content/v1/650dca9e9721fe5047090fbd/e1259580-dba1-4e22-8975-3a0ad3835d42/Leglise+painting+cleaned.jpg Contact https://images.squarespace-cdn.com/content/v1/650dca9e9721fe5047090fbd/1701638762450-7LXF9GHVFYYV5ZCL247K/Contact+Top.png Contact https://www.theartevangelist.com/published daily 0.75 2024-01-03 https://www.theartevangelist.com/published/passion-to-profit-pmjwg-sng2b-hnjgw-kxzkn-8ghpn-ejy6t-lpshm-65tkg-fan3f-4smd7-j3cex-xn635-ljb7p monthly 0.5 2024-02-09 https://images.squarespace-cdn.com/content/v1/650dca9e9721fe5047090fbd/d74ae06d-46cd-4e4a-976a-04528927819d/Alexander+Aizenshtat+image.png Published Art Essays - Alexander Aizenshtat Alexander Aizenshtat https://www.theartevangelist.com/published/passion-to-profit-pmjwg-sng2b-hnjgw-kxzkn-8ghpn-ejy6t-lpshm-65tkg-fan3f-4smd7-j3cex-xn635 monthly 0.5 2024-02-09 https://images.squarespace-cdn.com/content/v1/650dca9e9721fe5047090fbd/a36ba331-2d97-4e43-b884-8990d900f79c/Bradley+Hart+image.jpg Published Art Essays - Bradley Hart Bradley Hart, Tulips, 2013, acrylic, bubblewrap, 54.5” x 82.25” https://www.theartevangelist.com/published/7-figure-success-3hjme-tcdw8-pjg5n-lxfzm monthly 0.5 2024-02-09 https://images.squarespace-cdn.com/content/v1/650dca9e9721fe5047090fbd/29ce62ea-3a51-415d-b1ca-adddbbb2c1a8/Charchoune+artwork+image.jpeg Published Art Essays - Serge Charchoune: “The Early Years” Serge Charchoune, Cubisme ornamental, 1920, oil on canvas, 15.4 x 10.6 inches https://www.theartevangelist.com/published/the-ultimate-yogi-re4sr-pjpkg-sr39h-n4mtk monthly 0.5 2024-02-09 https://images.squarespace-cdn.com/content/v1/650dca9e9721fe5047090fbd/91a2489e-ce2b-427d-98ee-1c057450fbe2/Batlle_artwork.jpg Published Art Essays - Marianne Batlle: “dick dolls” Marianne Batlle, Deborah Beauty, 100% super angora, 12” x 7” https://www.theartevangelist.com/published/passion-to-profit-pmjwg-sng2b-hnjgw-kxzkn-8ghpn-ejy6t-lpshm monthly 0.5 2024-02-09 https://images.squarespace-cdn.com/content/v1/650dca9e9721fe5047090fbd/e3373756-dd38-4aaa-8d28-65ad537df2e8/Nu_Som_artwork.jpg Published Art Essays - Nu Som: “Nudescapes Private Dreams in Public Places” Nu Som, Ireland 4:47pm, 2016, photograph https://www.theartevangelist.com/published/passion-to-profit-pmjwg-sng2b-hnjgw-kxzkn-8ghpn-ejy6t-lpshm-65tkg-fan3f monthly 0.5 2024-02-09 https://images.squarespace-cdn.com/content/v1/650dca9e9721fe5047090fbd/0168a474-d630-4c01-b1fb-7c226f0fea47/Rispal_artwork.jpg Published Art Essays - Josette Rispal: “Chiffonnettes” Josette Rispal, L’ordre des nuages, 1992, hot drawn glass, 7.4” x 10.6” x 1.5” https://www.theartevangelist.com/published/passion-to-profit-pmjwg-sng2b-hnjgw-kxzkn monthly 0.5 2024-02-13 https://images.squarespace-cdn.com/content/v1/650dca9e9721fe5047090fbd/d7c1bc36-9c82-467e-9f02-cf15f90c59f2/Carrasquer+Doctors+in+Love.png Published Art Essays - Marcos Carrasquer: “Nobody’s Dead” Marcos Carrasquer, Doctors in Love, 2007, gouache on glass, 15” x 12.5” https://www.theartevangelist.com/published/passion-to-profit-pmjwg-sng2b-hnjgw-kxzkn-8ghpn-ejy6t-lpshm-65tkg-fan3f-4smd7-j3cex monthly 0.5 2024-02-09 https://images.squarespace-cdn.com/content/v1/650dca9e9721fe5047090fbd/9b33a166-278d-437e-aada-cb249f3cafe7/Vrankic_artwork.jpg Published Art Essays - Davor Vrankic: “Go to Sleep, You’re Too Big for a Lullaby” Davor Vrankic, Daddy & Daddy, 2007, lead pencil on paper, 47” x 73” https://www.theartevangelist.com/published/passion-to-profit-pmjwg-sng2b-hnjgw-kxzkn-zrkjd monthly 0.5 2024-02-13 https://images.squarespace-cdn.com/content/v1/650dca9e9721fe5047090fbd/23c3fcf7-80cd-4171-b776-1a0dbd38f9aa/Driez.png Published Art Essays - Raynald Driez: “Blast Off” Raynald Driez, Untitled (diptych), 2007, oil on canvas, 40” x 64” https://www.theartevangelist.com/published/passion-to-profit-pmjwg-sng2b-hnjgw-kxzkn-8ghpn-ejy6t monthly 0.5 2024-02-09 https://images.squarespace-cdn.com/content/v1/650dca9e9721fe5047090fbd/bd2bd4ee-25c3-4e51-9fb4-375da13bc24a/L%C3%A9glise_artwork.jpg Published Art Essays - Frédéric Léglise: “Who’s Afraid of Pink” Frédéric Léglise, Anaïs, 2006, oil and lacquer on canvas, 35” x 45.5” https://www.theartevangelist.com/published/passion-to-profit-pmjwg-sng2b-hnjgw-kxzkn-8ghpn-ejy6t-lpshm-65tkg-fan3f-4smd7 monthly 0.5 2024-02-09 https://images.squarespace-cdn.com/content/v1/650dca9e9721fe5047090fbd/ef4d5e8b-a988-49ee-bdbb-05a267e7fa68/Li_Tianbing_artwork.jpg Published Art Essays - 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Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/650dca9e9721fe5047090fbd/65acceb5-e032-4b79-91ff-f076d82ae458/Home+-+Services+-+Image+-+01.png Appraisal & Advisory - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/650dca9e9721fe5047090fbd/95fc52c9-e5ee-44d2-8b44-9e7279baae4d/3.+Appraisal+%26+Advisory+draft+image+copy-cropped.png Appraisal & Advisory - Appraisals for Post-War, Contemporary & Emerging Art. APPRAISAL TYPES: - Estate planning, tax reporting, and stepped-up basis - Charitable contribution (donation) - Insurance coverage and inventory - Art financing (loan collateralization) - Equitable distribution and dissolution of marriage https://images.squarespace-cdn.com/content/v1/650dca9e9721fe5047090fbd/d2dd8384-0692-4bbd-8879-3f4ac7860563/_MG_8424.jpg Appraisal & Advisory - About my LLC After earning a doctoral degree in the History of Art at UC Berkeley and becoming an art historian, I went on to work as a curatorial assistant, art critic and independent curator before opening a contemporary art gallery in Paris. After an exciting and successful seven years as a gallerist, I moved to the greater NYC area and became an art advisor and certified fine art appraiser specializing in Post-War, Contemporary and Emerging art. My depth of knowledge and expertise has been formed by a unique combination of experiences in both the academic and commercial sides of the art world. 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